Cinderella stories go back 7000 years, and Mah Pishani is possibly one of the oldest. This Iranian story provides a very different take on the same themes you've become familiar with. Unlike the bickering evil step-sisters, this version is about finding connection with family and community - in particular among women - and about love that stretches beyond the grave.

Mr. Bell provides an overview of the most common blunders that could knock you out of the running for publication before you even get started, including awkward flashbacks and fluffy dialogue. Using examples from best-selling writers including Sarah Pekkanen, Mark Twain, and Toni Morrison, he re-evaluates some of the most common writing advice, busting common misconceptions and myths.

Why do we love toppling giants? Stories such as David and Goliath resonate, giving us hope that we can overcome seemingly insurmountable odds. Dr. Harvey shares two stories: "The Legend of the Chocolate Hills" from the Philippines, and "The Little Tailor," adapted from the 1857 version by the brothers Grimm, which itself was adapted from a 1557 story called "Der Wegkurtzer" by Martinus Montanus.

Building upon the insights revealed in the previous lecture, you’ll examine mysteries that don’t use any violence and compare them to stories that are borderline gratuitous in the depiction or details of violent acts. You’ll also explore the rise of violence in mysteries, starting with a peak period in the wartime 1940s through to the present and discuss the reasons why.

Using a proprietary system of his own invention, Mr. Bell introduces you to the foundational principles of a successful novel: LOCK (Lead, Objective, Confrontation, Knockout). He demonstrates how famous authors such as Stephen King, David Baldacci, and others utilize these fundamental elements. Plus, review the five types of endings and discover the pros and cons of each.

Dr. Harvey presents several stories, each of which explore the power of naming. Starting with classic story "Rumpelstiltskin" from Germany, collected by the Grimm brothers in 1857, you'll also hear an Egyptian creation myth, a Judeo-Christian creation myth, the Egyptian story of Ra and Isis, and "Peerie Fool" from the Orkney Islands, which pulls elements from Norse and Scottish folklore.

Professor Cognard-Black introduces you to artistic proofs, which are grounded in your expertise and colored by your own observations and experiences. The most important artistic proof in any essay is ethos—the writer’s ethical appeal or credibility. She demonstrates how to effectively use ethos along with logos or rationality to bring reasonableness into your essays, which vital to writing effectively. You’ll examine the work of a pair of writers...

While first-person narration is an effective way to tell a story, third-person narration offers a wonderful range and flexibility, and allows you to dive just as deeply into your characters' heads - if not more deeply - than the first-person perspective. Survey the spectrum of third-person voices, from the objective and external to the interior stream of consciousness.

Much like the setting and the character, the use or lack of violence, and the amount and intensity depicted, can provide more clarity into the mystery you’re trying to solve. And, much like the guidelines about using clues in suspense writing, there are so many exceptions to the rules of using violence that the rules themselves may need to be called into question.

Once you have perfected the components already reviewed - a detective, a criminal, clues, and potentially a sidekick - all that remains is solving the mystery. But as you’ll learn in this lecture, it’s never that simple. Learn what makes for the perfect “big reveal” and why you don’t necessarily need one. See how open-ended mysteries walk the line between frustrating and compelling.